The music of Anatma is rooted in a personal interpretation of the improvisational style of contemporary Western music and classical Indian music. This dichotomy is reflected, above all, in a compositional style that departs from canonical forms, not fitting into the conventions of either culture, thus creating something new and unexplored. The selective use of compositional and improvisational traditions from both Western and Eastern practices is always employed solely in the service of a generative and creative process that, ultimately, resists any precise definition, best embodying the concept of “non-ego.”